“Nainsukh contemplates the paradoxical nature of realism by re-envisioning scenes from the life of famed 18th century miniaturist Nainsukh based on some of his works; yes, images created in a style devoid of everything that characterises Western painting since the Renaissance, i.e. a realistic depicition of the world (depth, light and shadow; the ideal of a seemingly seamless continuity in serieses) get re-staged in a purely cinematographic manner…if only to show that you can’t re-stage them—but!, you can find inspirations in them to re-define, even invent anew your own art.” 

– MUBI, Notebook, The Ferroni Brigade